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ONE:All around the shrine of the temple there were prayers fastened, wherever there was a place for fastening them. On the left of the altar there was a large lattice, and this lattice had hundreds of prayers attached to it, some of them folded and others open. Several old men and women were leaning against this lattice, or squatted on the floor in front of it, engaged in selling prayers; and they appeared to be doing a thriving business. The boys bought some of these prayers to send home as curiosities; and they also bought some charms and beads, the latter not unlike those used by Catholics, and having a prominent place in the Japanese worship. Then there were votive tablets on the walls, generally in the form of pictures painted on paper or silk, or cut out of thin paper, like silhouettes. One of them represents a ship on the water in the midst of a storm, and is probably the offering of a merchant who had a marine venture that he wished to have the goddess take under her protection. Shoes and top-knots of men and women were among the offerings, and the most of them were labelled with the names of the donors. These valueless articles are never disturbed, but remain in their places for years, while costly treasures of silver or gold are generally removed in a few days to the private sanctuary of the goddess for fear of accidents. Even in a temple, all the visitors cannot be trusted to keep their hands in check. It is intimated that the priests are sometimes guilty of appropriating valuable things to their own use. But then what could you expect of a lot of heathens like the Japanese? Nothing of the kind could happen in a Christian land."That was what the makers did for man," resumed the other. "Life had become impossible, and it was the only practical way out of the difficulty. You see, the makers were very clever, and very mild and gentle. They were quite different to ordinary human beings. To begin with, they were real."

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